Also, to be clear, this is not a list of "best" but rather a list of "most enjoyed."
- Kill Bill 1 & 2
- Her
- Edge of Tomorrow
- The Emperor's New Groove
- World War Z
- The Wolverine
- We're the Millers
- The Incredible Burt Wonderstone
Her was very interesting, as a rom-com (sort of) about a guy getting over his ex with a new girlfriend, who was able to help him reconnect with his joyousness--only this new girlfriend is a computer OS (rather than a manic pixie girl) and there are certain missed connections between a human and an OS (which is what really sets her off from the MPG, since she has her own arc); in many ways a tone poem to depression and recovery, and by "tone poem," I mean I was occasionally bored.
Emperor's New Groove is one of the not-very-much-talked-about Disney movies from after the 90s Renaissance but before the Pixar salvation. Apparently it had a very troubled making, but I thought the movie was enjoyably meta and strange, from the non-linear telling and interruptions to the setting of a pre-Columbian Incan Empire (with plenty of anachronisms).
Emperor's New Groove is one of the not-very-much-talked-about Disney movies from after the 90s Renaissance but before the Pixar salvation. Apparently it had a very troubled making, but I thought the movie was enjoyably meta and strange, from the non-linear telling and interruptions to the setting of a pre-Columbian Incan Empire (with plenty of anachronisms).
Emperor's New Groove also demonstrates something that Incredible Burt Wonderstone failed at, which is making your unpleasant protagonist fun and/or identifiable: Kuzco and Burt are both self-centered, but Kuzco has a sense of humor, whereas Burt is a joyless jerk; and while Kuzco is introduced in contrast to the really evil villain, Burt's sad introduction with bullies and an absent mother don't actually build to anything.
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